“This project was realised with the aim of sharing in a subtle and implicit way a personal experience that lasted for about two years.
The bedroom was my refuge during that time, the private space where I could finally take off my strong and happy person mask and look deeply – through the reflection of my image in the mirror – into my feelings, my state of soul, my inner struggles, to face the many questions and no-answers and the uncontrollable urge to get out of the tunnel, contrasted by the lack of strength and energy to do it.
People usually tend not to arise too many questions about what there might be behind the appearance of others. I have always been very good at hiding my torments at the time, not to disappoint my loved ones and especially because I have always firmly believed that no one could ever help me or understand me, considering that sometimes I could not understand myself either.
The idea for this project was to create a sort of panoramic image in which the bedroom – shot from a certain distance in the first and last photograph – represented the way in which such place can generally be perceived from an outsider and the close-up on the subject happening in the middle, depicts the what is actually going on inside the bedroom.
The viewer’s reaction has always been silence, but a silence which told many words. I think the journey through depression is something that almost anyone, if not personally, through relatives, experiences in a more or less direct way. My project attempts to tell one of the aspects of such a journey, aiming at leaving the viewer with unanswered questions.
Many photographers inspire my work, both stylistically and conceptually, although I must say that I really like the idea of producing images which somehow recall paintings. I always try to create a series of photographs that can stand either alone or combined with others. Therefore I guess that maybe art in general inspires me a lot more than other photographers’ work when I think of how to organise a project.”