Giacomo Fierro is an Italian photographer specialising in landscape and photo reportage. Through his projects he investigates the ever-changing relationship between man and landscape and the traces he leaves in it.
“Led by hope for tranquillity I move carrying with me a longing for innovation. The desire to explore the unknown now overcomes the desire to return, which fades with time. The instability of what the future will be does not worry me; the consequences, whatever they are, are part of the discovery that is to come. Research is made through movement, fighting the immobility and at times leaving uncertainties behind. Movement and change become a mental state so that all that counts is progression and departure from a condition of stagnation. Thoughts at nighttime are at their most spontaneous and the sky is their catalyst.”
How did the theme of mental health become a key part of your practice?
Mental wellbeing unexpectedly became the focal point of my first works. Until the age of 18 I used to live in a place where I didn’t feel at ease and, only once I left, I realized I wanted to start rebuilding a bond with that place.
How did Symptoms come about?
Symptoms originated spontaneously, just like the whole “Ataraxia” project. In this work, nothing was premeditated and nothing was born with the intent of taking part in the series. All of the shots were put together afterwards as they had a common feel to them and the project started as a description of my life in that period.
What is it that attracts you to photographing at night?
Nighttime has always fascinated me, and in particular, photographically speaking, the possibility to capture a partial reality thanks to light (and its absence). The images were shot with flash or long exposures, technical expedients that helped reproduce my feelings in those moments. Another reason that led me to choose the dark is the fact that at night there are no people around that somehow may interfere, and so I can focus on the relationship I have with a certain place and make images that relate to those specific feelings.
Have you found creating this work therapeutic at all?
I can definitely say this work has been therapeutic for me, but this process is not over yet. Symptoms is part of a larger body of work whose aim is to describe the progressive phases of my journey towards a state of ataraxia. In the beginning I wasn’t aware of what was to come nor what I would encounter: it all surfaced in a very organic and spontaneous way and I can say that taking photos has turned out to be the best therapeutic instrument for my research.
What do you hope viewers will take from this work?
Photography has been very important to me in this period of my life: the resulting images were born from deep feelings that I hope will be accessible to the viewers. To those who will see them, I would like to suggest a reflection on life starting from my perspective. In particular with Symptoms I would like to stress how hard it can be to feel at home in a place that isn’t really home.
What are you working on now?
Right now, while I continue with my therapy, which is now in its third phase, I’m particularly interested in the theme of Creation from both personal and mythological points of view. I am working on two separate still life series on this theme. At the same time I work as a commercial photographer in Turin, Italy, my new home.